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\begin{document}
\begin{slide}
{\Large\bf\sf Simon Greenwold}
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{\small Newton, MA USA}
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{\Large {\bf\sf Homespun }{(\sf 2005)}}\vspace{0mm}\\ 
{\small Dollhouse, electric motor, camera, computer, monitors}
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{\parbox{\linewidth}{\footnotesize \textit{Homespun is dedicated to anyone who has ever felt turned
upside down.  The dollhouse rotates end-over-end on an axle. In the
video, the rotation is removed, so the furniture prowls slowly around
the room. It is about the heaviness and danger of the objects with
which we surround ourselves and the fragility of the shells we live
in.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Eric Gunther, Justin Manor, John Rothenberg}
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{\small Cambridge, MA USA}
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{\footnotesize {\tt www.sosolimited.com}}
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{\Large {\bf\sf Algorithmic Materialization Study \#0 }{(\sf 2005)}}\vspace{0mm}\\ 
{\small televisions, software, sound}
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{\parbox{\linewidth}{\footnotesize \textit{After establishing a set of algorithmic and architectural
rules, each member of sosolimited was given a graphical primitive -
points, lines, or planes - with which to compose in graphical and
sonic space. The sounds drive the motion graphics and the graphics
modulate the sounds.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Steve Hollinger}
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{\small Boston, MA USA}
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{\footnotesize {\tt www.stevehollinger.com}}
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{\Large {\bf\sf Downtown }{(\sf 2005)}}\vspace{0mm}\\ 
{\small Mixed media}
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{\parbox{\linewidth}{\footnotesize \textit{``Downtown'' is one in a series of Steve Hollinger's
sculptures that use strands of thread to examine the most delicate of
forms, structures and connections.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf jackbackrack}
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{\small Cambridge, MA USA}
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{\Large {\bf\sf Full Backup }{(\sf 2004)}}\vspace{0mm}\\ 
{\small Video Camera, Computer, Projector}
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{\parbox{\linewidth}{\footnotesize \textit{fullbackUP is an interactive video installation that
responds to people's movements by amplifying and replicating them.ﾊ
Internal video feedback loops generate direct and indirect patterns,
introduce delays and effects to produces a visual landscape that is
revealing and constantly changing.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Brian Knep}
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{\small Boston, MA USA}
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{\footnotesize {\tt www.blep.com}}
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{\Large {\bf\sf Big Smile }{(\sf 2003)}}\vspace{0mm}\\ 
{\small Computer, Video Projector, Video Camera, Custom Software}
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{\parbox{\linewidth}{\footnotesize \textit{This face smiles only when no one is looking directly at
it. By doing so, it shows its discomfort with being the center of
attention and even its disdain with the audience. It asks, ``Why are
you looking at me,'' when of course without viewers the art piece
wouldn't exist.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Jeff Lieberman}
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{\small Cambridge, MA USA}
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{\footnotesize {\tt http://bea.st}}
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{\Large {\bf\sf Slink }{(\sf 2004)}}\vspace{0mm}\\ 
{\small Aluminum, Corroded Steel, Acrylic, Electronics, Custom Voice Coil with
Flexure Mounts, 1980 LEDs, Extension Spring}
\vspace{5mm} \\ 
{\parbox{\linewidth}{\footnotesize \textit{Slink is an experiment with matched mechanical, electrical, and 
visual resonances, using a spring and light. This is an actual vibrating 
spring, not a computer simulation.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Kevin McCormick}
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{\small Cambridge, MA USA}
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{\footnotesize {\tt www.hydrochloride.net/rhombus/}}
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{\Large {\bf\sf Corona }{(\sf 2003)}}\vspace{0mm}\\ 
{\small naked electronics, LEDs}
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{\parbox{\linewidth}{\footnotesize \textit{Corona is a geodesic sphere constructed entirely of
printed circuit boards and light-emitting diodes.  Serving as both a
lamp and a three-dimensional display, its 180 LED clusters can take on
and project any color of the rainbow under real-time computer control.
Corona throws off the bonds of the hot and bulky incandescent bulb,
and imagines what our lighting fixtures might be like in the
networked, semiconducting future.}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Andrew Neumann}
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{\small Boston, MA USA}
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{\footnotesize {\tt www.bitforms.com/artist\_neumann.html}}
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{\Large {\bf\sf ``Industrial Tree'' }{(\sf 2005)}}\vspace{0mm}\\ 
{\small Plywood, fans, analog switch, wire, power supply}
\vspace{5mm} \\ 
{\parbox{\linewidth}{\footnotesize \textit{}}}
\end{slide}
\begin{slide}
{\Large\bf\sf Dan Roe}
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{\small Cambridge, MA USA}
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{\footnotesize {\tt www.danroe.net}}
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{\Large {\bf\sf Captivity: Specimens one and two }{(\sf 2004)}}\vspace{0mm}\\ 
{\small Steel, solar engine (motors, glass solar panels, circuitry)}
\vspace{5mm} \\ 
{\parbox{\linewidth}{\footnotesize \textit{These specimens are artificial life forms created from
wire and circuitry.  Consider either one, and let us wonder at the
most life-like aspect of this individual "artificial life form."  Is
it some physical characteristic, the shape of the wings, the tail, the
placement of motors roughly where feet would be, or perhaps the
infrared photosensors in the place of eyes with brain-like control
circuitry behind?  Or is the most life-like characteristic behavioral,
and to be observed in the way the body moves and flexes against its
chains, while simultaneously seeking a light source to power its
movement?  Neither proposition addresses the situation in which this
sculpture finds}}}
\end{slide}
\begin{slide}
{\Large\bf\sf William Tremblay, Rob Gonsalves}
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{\small Allston, MA USA}
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{\Large {\bf\sf Wave Puppet }{(\sf 2005)}}\vspace{0mm}\\ 
{\small Acrylic, aluminum, steel, EPDM rubber, servo motors,
computer, custom software}
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{\parbox{\linewidth}{\footnotesize \textit{Translating powerful physical forces to an anthropomorphically
comprehensible and safely inanimate form, Wave Puppet is a marionette of
the ocean's surface directed by the math that underlies all waves.}}}
\end{slide}
\end{document}
