During my June 2010 trip to
China, I visited the Summer Palace, the Great Wall, and
the Forbidden City during my limited tourist time.
These are my pleasant memories.
During my visit to China, I had about a
day and a half to play tourist. One day at the beginning of my
visit, which I had officially set aside to fight the 12 hours of jet
lag between Boston and Beijing, and a half-day between returning
from Changsha and embarking on my flight back to the US. (The day to
get over jet lag was way too little!) On my first day in
Beijing, three of us had arranged a tour to see the Great Wall and
the Summer Palace, two of the "must see" sights of Beijing.
The Summer Palace
Our tour guide met us around
7:30am, and he and his minibus driver took us around for the day. We
first drove to the Summer Palace, which is a rather late set of much
older style Imperial buildings dating from the late 19th and early
20th centuries, where the hand of the dowager and regent Cixi shows
paramount. The old Summer Palace, which was on a nearby but
different plot of land, was razed in the Opium Wars by some British
general, who thought that doing so would "bring some sense" to the
emperor. That site remains today in a destroyed state,
reminding the Chinese how bad it can be to be powerless against the
outside world. The place we visited was actually built in the
18th century and it, too, was burned in the opium wars and the Boxer
rebellion, but then rebuilt under Cixi’s rule. She is said to
have embezzled about thirty-six million troy ounces of silver for
the reconstruction, which had been set aside to build the Chinese
Imperial Navy instead. This later proved catastrophic in wars
against Japan, which did invest in a modern navy, whereas China was
left defenseless.
The Summer Palace is built
along the edges of a huge man-made lake, a beautiful sight, and a
setting for an island with its own shrine, bridges, and dragon
boats. The palace buildings are in the Imperial Chinese style,
with curved tile roofs and brightly painted wooden beams. Many
statues of mythical beasts, great bronze vessels, and huge
philosopher stones populate the grounds. The long gallery, a
spectacular covered walk taking a sinuous course next to a row of
trees, looking out on the lake on one side and a tranquil pool on
the other, is one of the Palace’s great features. It’s in the photo
above. I’ve enjoyed the Huntington’s recent construction of a
Chinese Garden in San Marino, California; this park has many of the
features they are surely trying to emulate, on a much smaller scale.
Another of Cixi’s great follies is a marble boat, cut
from a single giant block of marble, serving as an outdoor place to
entertain. It combines a Western architectural style, the form
of a dragon boat, and the total immobility of a giant block of
rock. My photo on the right, taken by our tour guide, shows
its rather garish form, as well as my burden of photo gear.
The Great Wall at Badaling
Contrary to my preconception, the Great Wall is in the extended
suburbs of Beijing, not anywhere near the actual present border of
China. It’s also not a single continuous wall stretching
across northern China to protect against invasions, but instead a
series of lengthy segments meant to protect certain approaches to
Beijing and northern China. Trenches and impassable mountains,
together with the segments of wall, form a 5,000+ mile barrier,
parts of which are 2,500 years old, but most of which date to the
Ming dynasty. We, as do most tourists to Beijing, went to Badaling,
one of the more easily accessible parts of the Wall, and one that
has been sufficiently restored that it can safely handle the vast
horde of tourists who visit. After strolling along the top for
about an hour, I reached a section where the way was barred, and I
was told that the sections beyond where I was were not restored, and
thus crumbling and dangerous. This did not inhibit a number of
native Chinese from climbing over the barrier to continue their
explorations, but the danger, the manifestly obvious video camera
taking in the scene, and a need to return to my tour dissuaded me.
The Wall is massive. At the section I visited,
it is about 25 feet tall, 16 feet wide, and runs sinuously along the
ridge of rather rugged hills. Facing outward, it is lined with
a continuous wall arrayed with excellent places from which to shoot
arrows downward at any troops brave enough to endure the fire as
they have to climb up a mountain side just to get to the base of the
wall, and then find a way to climb up to the top. There are
also periodic turrets, which provide higher and more protected
firing places. The wall is made of solid brick and stones, and there
is no ground near it from which to mount a charge with a battering
ram, so I think before the era of gunpowder (used as a weapon, not
for fireworks), it would have been close to impregnable. The
wall curves not only from side to side but also up and down as it
follows the ridge line.
I was expecting to see and
photograph a scene much like the one to the right (a standard
publicity photo), or the beautiful shots of President Obama recently
visiting, with the Great Wall stretching off to infinity behind him
on a radiant, clear day. Alas, we were there in the fog, which
was mysterious and magical, but where infinity started at about 50
to 100 feet. Even pictures of people near me look really hazy.
Although not this intense, I experienced the same kind of fog
throughout my stay in Beijing. Fortunately, it seemed due to natural
humidity in the air, not the tremendous pollution for which the city
is famous. My Chinese students assure me that before the cleanup for
the Olympics last year, it would have been smog.
I suppose this is quite uncommon along other sections of the Wall,
but we ascended to the foot of the Great Wall by riding a clunky
amusement park ride at a park known mainly for the variety of
captive bears that it exhibits. What looks like it may have been
built as a thrill ride pulls its cars up the hill, where one can get
off at the foot of the Wall. On returning, you get back on the
car, which is tethered to a chain of others, and you rush down a
track back to the bottom. A “driver” sits in front, which is a
special car where he brakes to impede the momentum of your chain,
reducing the thrill to a tepid ride, but one that probably suits
most visitors.
Obligatory visits to a restaurant serving Peking Duck, a jade shop,
and silk store rounded out the rest of our tourist day. Much
of the jade is beautifully worked, but the appealing large pieces
can be tens of thousands of US dollars, so I had no trouble
resisting. The silk appealed to one of my (female) colleagues,
but I own more than enough ties, and a silk jacket might have seemed
pretentious on a Westerner.
The Forbidden City
During my last half-day in Beijing, I just had to visit the
Forbidden City. It is a vast walled city that was the
exclusive province of the Imperial family and government for five
centuries. The layout is rectangular, with a main axis running
from Tien An Men Square on the south to a relatively less imposing
gate (the Gate of Divine Might) returning to a park and the center
of the modern city at the north. Ignoring minor matters like
architecture, history and location, it reminded me greatly of the
Topkapi Palace in Istanbul in its formal organization. The
main axis, running from south to north, takes one through a
successive series of gates, pavilions and courtyards, which become
more exclusive the further in you go. The innermost courtyard
is the Emperor’s garden, which provided privacy and a kind of formal
relaxation. Topkapi has the same structure, though there the garden
is at the point of land where the Bosporus and the Golden Horn meet,
giving more spectacular views than those available in the middle of
a relatively flat Beijing.
Walking north under the huge
picture of Mao at the Tien An Men gate, you enter a front courtyard,
full of vendors selling postcards, digital memory cards, and soft
drinks. Every third person is a student offering to guide you
through the Palace for a pittance. (I suddenly developed
language amnesia and could speak only Hungarian, until I actually
ran into a Hungarian tour guide!) You enter the Forbidden City
itself through the Meridian Gate (A on the diagram), a formidable
and easily defended U-shaped structure that is clearly meant to
impress with its immensity and severity. This is where passage
to those without court business was “forbidden”.
The first courtyard is the one I always
think of as representing the Forbidden City because of its iconic
stream with the five parallel stone bridges that usually provides a
backdrop to guards marching or foreign dignitaries entering.
It is immense and imposing, between the back of the Meridian Gate
and the Gate of Supreme Harmony (Tai He Men), which was the outer
border of where the Emperor would receive reports from functionaries
or issue decrees. The square is also bordered by impressive gates on
the east and west sides, leading to military and literary portions
of the Forbidden City. Two bronze lions represent the Empress and
Emperor. The female has her paw on a cub, who squirms on his
back; the male has his paw on an orb, representing his rule.
In fact, many depictions of rulers show the male and female in some
mythical representation. At the Summer Palace, we saw pairs of
Phoenix and Dragons representing the Empress and Emperor.
The golden tiles of all the buildings glisten in the afternoon
sun. When illuminated directly, such as the gate and gallery
on the left, below, they glow. When backlit, on the right,
their highlights shimmer. Truly a magnificent scene, for which
this small panorama cannot do real justice.
The next courtyard leads to the Hall of
Supreme Harmony (Tai He Dian). The photo on the right shows a stone
carved ramp flanked by stairs from the rear of Tai He Men, a vast
courtyard, then leading up a tiered series of terraces to this
imposing Hall. Here some Emperors and Empresses were
enthroned, celebrations were held for major holidays, new civil
servants were announced, and generals were sent out to war. I see
the Hall as very colorful and even garish, but I’m continually
enchanted by the texture, lines and colors of the tile roofs. In the
second row, below, are the throne, and a bird (crane?) and sundial,
attesting to the power of the Emperor.
The next courtyard, another imposing place with complex tiered
terraces, leads to the smaller Hall of Central Harmony (Zhong He
Dian) in the center and the larger Hall of Preserved Harmony (Bao He
Dian). “Central” served as a kind of vestry for the Emperor
preparing for his official functions. “Preserved” had served at
various times in history as a residence, banquet hall, wedding site,
and examination room.
The
next courtyard, another imposing place with complex tiered terraces,
leads to the smaller Hall of Central Harmony (Zhong He Dian) in the
center and the larger Hall of Preserved Harmony (Bao He Dian).
“Central” served as a kind of vestry for the Emperor preparing for
his official functions. “Preserved” had served at various times in
history as a residence, banquet hall, wedding site, and examination
room.
The next courtyard leads to the Hall of Supreme Harmony (Tai He
Dian). The photo on the right shows a stone carved ramp flanked by
stairs from the rear of Tai He Men, a vast courtyard, then leading
up a tiered series of terraces to this imposing Hall. Here
some Emperors and Empresses were enthroned, celebrations were held
for major holidays, new civil servants were announced, and generals
were sent out to war. I see the Hall as very colorful and even
garish, but I’m continually enchanted by the texture, lines and
colors of the tile roofs. In the second row, below, are the throne,
and a bird (crane?) and sundial, attesting to the power of the
Emperor.
The inner sanctum of the Forbidden City was the Imperial Garden (Yu
Hua Yuan), where the emperors and their empresses and concubines
strolled, and where future harem members were chosen. The garden is
quite formal and symmetric in structure, but contains rocks, gnarled
plants, and mandrake-shaped trees to bring to it a sense of
wilderness. It is also full of little pavilions and architectural
features to provide pleasant places to loll about and to interest
the eyes. The Gate of Divine Might (Shen Wu Men) leads out to
Jinshang park and the city beyond.
Having
traversed the main axis, I then strolled into the west side of the
Forbidden City, which served as the residence of the empress and
concubines, and held countless little courtyards devoted to
education, the arts, and treasures. The scale here is more
intimate and charming, and the tiles, plants and wooden details are
quite beautiful. But the many severe walls, gates with strong
logs to bar them shut, and long alleyways where an attacker could be
trapped in a deadly ambush remind me of the fear of instability and
the definite defensive role of the Palace grounds.
I ended
my day in the Forbidden City by walking around the Zhongshang Park,
an old Buddhist monastery now dedicated to the memory of Sun Yat
Sen. It contains the Altar to the Gods of Land and Grain, where the
Emperor would pray yearly for a good harvest on a field divided by
colored soils into a central, north, east, south and west quadrant.
The park also contains the Laijin Yuxuan restaurant, which serves
authentic old fashioned Buddhist vegetarian meals. I would
have tried it, but found it closed.
Altogether, a fascinating, spectacular, and tiring day and a half in
Beijing. I must return sometime for a deeper, broader, and
more intense study. Back to Blog